Double-clicking an error in the Max Console jumps the cursor to the device causing the error. Improvements for Device creatorsĪ new live.scope object adds an oscilloscope to the object library. Inputs and outputs are routable and show up in a track's MIDI From and MIDI To choosers. It is now possible to route MIDI to and from Max for Live audio effects and instruments. You can also now access slices of a sample loaded in Simpler, a clip or sample's warp markers, and much more. Updated SoundsĪ redesigned, MPE-compatible note API gives Max for Live access to Live 11's new note features: probability, velocity deviation, and release velocity.
Created in collaboration with Spitfire Audio. This combination of two violins, viola and cello has a sound that is immediately intimate, and is also a great starting point for sonic exploration. This instrument highlights the natural breathiness, range of expression and broad tonality of the brass quartet. Upright Piano is close-recorded for an intimate feel – a classic sound that is at home in many styles of music.
BAND IN A BOX TRIAL REAL TRACKS STRING QUARTET PLUS
Sustained tonal and textural samples, generative noise, multisampled instruments, plus devices and Effect Racks designed for experimentation. Mood ReelĮvocative layered instruments that combine organic and synthetic sounds with textural elements to add mood, space and movement to productions. Updated devicesĪ comprehensive collection of contemporary vocal samples from multiple voices, a set of playable vocal instruments, and Effect Racks designed for vocal processing.
Created in collaboration with Robert Henke. PitchLoop89īased on an early digital effects processor, this device creates jittery glitch effects, delayed digital shimmers and outlandish vibrato to add character to sounds in the studio or onstage. Created in collaboration with Dillon Bastan. Six playful instruments and effects that use natural and physical processes as their inspiration. The Freeze function captures and holds audio. Transforms sound into partials and feeds them into a frequency-based delay, resulting in metallic echoes, frequency-shifted and reverb-like effects. Spectral Resonatorīreaks the spectrum of an incoming audio signal into partials, then stretches, shifts and blurs the result by a frequency or a note in subtle or radical ways. Combines convolution and algorithmic reverbs, making it possible to create any space, from accurate real-life environments to those that defy physical reality.
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